The Practical Magic Sequel Tops the Box Office: the West’s Witch Wave Is Back

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Last weekend I opened the American box office chart and found a name at number one I had not expected at all: Practical Magic 2. (The 1998 original is usually known in Chinese-speaking markets as 《超异能快感》, and the sequel mostly as 《超异能快感:魔法之书》.) Sandra Bullock and Nicole Kidman — the magical sisters of the first film — are back together 28 years later, with roughly $28 million to $30 million in North America over the opening weekend (estimates vary by outlet) and about $46 million worldwide. That was enough for first place, and it ended the six-week run of Spider-Man: Brand New Day (Tom Holland’s fourth Spider-Man) at the top. The trade press, though, was hardly enthusiastic: Variety’s headline simply said “fizzles” — first place, but short of expectations.

A witch-themed sequel taking the weekend in today’s volume of content — I went back through the history and found that this “witch wave” comes around in the West every few decades.

From a capital crime to public publication, 460-odd years

One straight line: from “a crime deserving death” to “something you can publish, run a magazine about, and turn into a hit film” took a little over 460 years.

Why it returns every few decades

I tried to find the common threads, and all of them look familiar today:

So this wave, like every wave before it, is less a sign that “people have become more superstitious” than that a generation wants a form it can handle for its own uncertainty. The form does not matter; being able to act does.

If the film left you wanting a “form you can handle” for yourself, write something concrete on 占卜迷指 — not “will this year go well for me”, but why you could not sleep last night — take the corresponding chart and reading through the real flow, and export it to keep. The tool is only a tool; what is worth reading is the few lines you wrote yourself.

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